We then get bios for both Luis Buñuel and Salvador Dali. There are suggestions below for improving the article. The select-scene track for L’Age d’or plays over the opening, the bizarre love scene part way in, and then the finale. The booklet concludes with a reprinting of the “Manifesto of the Surrealists concerning L’Age d’or”, which originally appeared in a publicity brochure for the original release of the film back in 1930. Highly recommended. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. More than 80 years on, this masterpiece of cinematic surrealism remains as brilliantly witty and shocking as ever.  - Days of Being Wild, [General Film Discussion] / Tue Apr 06, 2021 01:45:08 PM, [Indicator Blu-rays] / Tue Apr 06, 2021 01:32:11 PM, [Boutique Labels] / Tue Apr 06, 2021 01:28:17 PM, BD 245-246 Straight Shooting & Hell Bent: Two Films by John Ford, [The Masters of Cinema Series] / Tue Apr 06, 2021 01:01:09 PM, [Boutique Labels] / Tue Apr 06, 2021 12:51:58 PM, [The Criterion Collection] / Tue Apr 06, 2021 12:21:21 PM, [Filmmakers] / Tue Apr 06, 2021 12:17:16 PM, Criterion Discussion and Random Speculation Volume 7, [Criterion Rumors and News] / Tue Apr 06, 2021 12:09:16 PM, Warner Brothers Archive Collection Blu-rays, [DVD and Blu-ray News and Discussions] / Tue Apr 06, 2021 10:13:42 AM, [Boutique Labels] / Tue Apr 06, 2021 10:10:05 AM, [Second Run DVDs and Blu-rays] / Tue Apr 06, 2021 05:55:40 AM, [Criterion Rumors and News] / Tue Apr 06, 2021 04:20:07 AM, [Indicator Blu-rays] / Tue Apr 06, 2021 03:12:15 AM, [Boutique Labels] / Tue Apr 06, 2021 02:25:12 AM, Severin Films: The Dungeon of Andy Milligan Collection, [Boutique Labels] / Mon Apr 05, 2021 11:04:03 PM, World of Wong Kar Wai Filme surrealista, todo un clásico del cine de arte y ensayo, una obra única y de culto, fruto de la poderosa imaginación de dos jóvenes mentes -Buñuel tenía 29 años y Dalí 25- poseedoras de un talento tan singular como genial. For Chien he again breaks down a few sequences, offers possible interpretations, and then goes over the production and how the film has been viewed over the years. Showing all 24 items ... Remembering Luis Buñuel. World of Wong Kar Wai  - As Tears Go By, World of Wong Kar Wai New high-definition digital restorations of all three films, with uncompressed monaural soundtracks, Interviews from 2000 with screenwriter Jean-Claude Carrière on, Archival interviews on all three films featuring Carrière; actors Stéphane Audran, Muni, Michel Piccoli, and Fernando Rey; and other key collaborators, Documentary from 1985 about producer Serge Silberman, who worked with Buñuel on five of his final seven films, Excerpts from Jacques de Baroncelli’s 1929 silent film, PLUS: Essays by critic Adrian Martin and novelist and critic Gary Indiana, along with interviews with Buñuel by critics José de la Colina and Tomás Pérez Turrent. The final feature is the 2000 documentary A Proposito de Buñuel. It also covers a number of his films, including L’Age d’or and Un Chien andalou. In Luis Buñuel’s deliciously satiric masterpiece, an upper-middle-class sextet sits down to a dinner that is continually delayed, their attempts to eat thwarted by vaudevillian events both actual and imagined, including terrorist attacks, military maneuvers, and ghostly apparitions. On average the detail level is good if not overly strong, but there are moments, particularly in close-ups, where fine details are as clear and crisp as can be. Bunuel and Dali, in true surrealist fashion, wrote the script based on dreams they’d had. I found this excellent thumbnail take on surrealism in a YouTube comment about Un Chien Andalou: There’s not supposed to be a point. I had no problems with it on my North American PS3. Luis Buñuel’s surrealist masterpiece L’Age d’or comes to Blu-ray from BFI Video with a new 1080p/24hz video transfer in the aspect ratio of about 1.19:1 on this single-layer Blu-ray disc.  - Days of Being Wild, World of Wong Kar Wai It is an ancestor of the works of John Cassavetes and today's independent digital movies. There are still plenty of marks remaining, from scratches to dirt, to tram lines, to what looks like cracks in the film. Favorites: The Battle of Algiers (1966), Aguirre, the Wrath of God (1972), Seven Samurai (1954), Eraserhead (1977). Un Chien Andalou was a Media and drama good articles nominee, but did not meet the good article criteria at the time. The DVD’s transfer looks to come from the same high-def master (downscaled of course) but its compression artifacts are surprisingly heavy in places, and blocking and other bits of noise are noticeable, In all the Blu-ray is the best I’ve seen both films on home video and just for this aspect I already give this release a very enthusiastic recommendation (the lower score reflects the amount of damage still present and not the digital transfer itself, which I really couldn’t find a flaw with.). The alternate track, which is a somewhat unnerving electronic score made up of odd noises and sounds, is hard to rate exactly but for what it is it sounds clean and sharp, presenting no distortion (unless intended) and has some strong range and volume. The booklet also includes yet another contribution by Robert Short, who basically summarizes his intro and commentaries into a short essay. It’s an interesting alternate to the original score, giving a unique, very different feel to the film. The remaining supplements are found only on the dual-layer DVD included here, which may be unfortunate for some in North America; like the Blu-ray the DVD is region free but its content is in a PAL format and may not playback on most North American players. Working with such key collaborators as screenwriter Jean-Claude Carrière and his own frequent on-screen alter ego Fernando Rey, Buñuel laced his scathing attacks on religion, class pretension, and moral hypocrisy with savage violence to create a trio of subversive, brutally funny masterpieces that explore the absurd randomness of existence. It’s not entirely what I expected upon originally seeing it, figuring we’d get some by the numbers documentary that goes over the films he made during his career. C'mon, it made me flinch and engaged. Unfortunately, since the definition is generally high, this does mean the damage is obvious. This documentary can be found in the Criterion Collection DVD Special Features of The Exterminating Angel. It’s actually a far more personal documentary about the man, looking more closely at his life, his beliefs, which includes politics and religion, and his family life, as well as relationships with various friends over the years. Conditions of the materials do limit the presentations somewhat but overall I was still thrilled with what we get. Un Chien Andalou, the 1929 short film collaboration by director Luis Buñuel and painter and professional showman Salvador Dali, is one of the most daring and influential films ever made. A sinister yet poignant chronicle of a couple's struggle to consummate their desire - the film was banned and vilified for many years for its subversive eroticism and furious dissection of 'civilised' values. You'll also find in-depth discussions on world cinema. Another fantastic booklet from BFI. Uniting the genius of Luis Buñuel and Salvador Dalí, L'Age d'Or is a uniquely savage blend of visual poetry and social commentary. In some ways he repeats comments on his tracks but goes into more detail about the surrealist movement, including other films that were made, and why Buñuel and Dali’s films succeeded where the others didn’t. The 99-minute doc can also be found on Criterion’s DVD edition for The Discreet Charm of the Bourgeoisie. imprint During these portions he talks about specific shots (despite the track not being entirely scene-specific), the collaboration between Dali and Buñuel for this film (which sounds to have been minimal and the end product is more a reflection of Buñuel—the two apparently came to head over this film), the style, editing, and even goes over the surrealist movement of the time and the other films produced. More than four decades after he took a razor blade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations—The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire—in which his renegade, free-associating surrealism reached its audacious, self-detonating endgame. Un Chien Andalou more than confirms Buñuel’s voluptuous obsession with sin, his infatuation with the link between sex and death and Catholicism’s anti-pleasure crusades. The surrealists weren’t interested in plot. Once these issues have been addressed, the article can be renominated.Editors may also seek a reassessment of the decision if they believe there was a mistake. It then of course juxtaposes these personal things alongside his films, selecting ones from various points of his career (from France to an attempt in the U.S. to Mexico, and so on.) The Blu-ray disc is region free. The man with the razor: "Un Chien Andalou" The Discreet Charm of the Bourgeoisie , Buñuel’s 1972 attack on the inane privileged classes, does not appear as purely surrealistic as his first film. "Un Chien Andalou" was one of the first handmade films--movies made by their creators on a shoestring budget, without studio financing. There’s some jumping here and there but in general L’Age d’or remains surprisingly stable. Grandes films classiques (Firm) Janus Films, provider. First on this disc is an introduction by Robert Short running 25-minutes. The Oscar-winning pinnacle of Buñuel’s late-career ascent as a feted maestro of the international art house, The Discreet Charm of the Bourgeoisie is also one of his most gleefully radical assaults on the values of the ruling class. Criterion-on-Demand (Firm), distributor. NOTE: The Blu-ray is region free and should play back on all Blu-ray players. ... Criterion … 868 films watched. democritusjrjr uses Letterboxd to share film reviews and lists. New design by Eric Skillman, based on the original poster art by René Ferracci. One of cinema’s great subversives and mischief makers, this Spanish master combined surrealist non sequiturs with attacks on the bourgeoisie and the church. What "Un Chien Andalou" offers is a high amount of shock-value and stand-alone scenes that are simply awe-inspiring for its time. BFI puts together a decent collection of supplements here starting with an audio commentary for both Un Chien andalou and L’Age d’or by Robert Short. Un chien Andalou / Les Grands Films Classiques présentent ; mise en scène de Luis Bunuel ; d'après un scénario de Salvador Dali et Louis Bunuel. After lusting for the woman, the man must simultaneously drag a piano, a pair of dead donkeys, and two priests across a … Un Chien Andalou is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. These commentaries can be found on both the Blu-ray and DVD versions included in this set, along with the alternate musical score for Un Chien andalou mentioned in the audio portion of this review. In general it sounds like a film from 1930. Stringing together a discontinuous, digressive series of absurdist set pieces, Buñuel and his screenwriting partner Jean-Claude Carrière send a cast of European-film greats—including Fernando Rey, Stéphane Audran, Delphine Seyrig, Jean-Pierre Cassel, and Bulle Ogier—through a maze of desire deferred, frustrated, and interrupted. C inema has often been likened to a dream experience but in his first film Luis Buñuel delivers precisely that, a baffling succession of stark and surreal images that resolutely defies a rational interpretation. This transfer was sourced from a 16mm negative of the 1960 restoration. As a work of art, it truly shows what can be achieved with the freedom of a powerful imagination. A group of high-society friends are invited to a mansion for dinner and find themselves inexplicably unable to leave, in Luis Buñuel’s daring masterpiece The Exterminating Angel (El ángel exterminador).  - Chungking Express, World of Wong Kar Wai Again it can be a little stuffy but it is a solid primer on the film, the surrealist movement, and Buñuel and Dali’s collaboration. With subversive flair, Buñuel uses two different actors in the latter role—Carole Bouquet, a sophisticated French beauty, and Ángela Molina, a Spanish coquette. It includes interviews with a number of people including various friends and colleagues, his wife, Jeanne Buñuel, and various actors he’s directed (and I must say that Carole Bouquet doesn’t appear to have aged at all.) The DVD version, included in the set, is also region free but requires the ability to playback PAL content, which might be a problem in North America. It doesn’t matter all that much, though, as it still comes close to looking as good as L’Age d’or. Un Chien Andalou is a little weaker but not by that much. Luis Buñuel’s vision of the inherent absurdity of human social rituals reaches its taboo-annihilating extreme in what may be his most morally subversive and formally audacious work. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. More than four decades after he took a razor blade to an eyeball and shocked the world with Un chien andalou, arch-iconoclast Luis Buñuel capped his astonishing career with three final provocations—The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire—in which his renegade, free-associating surrealism reached its audacious, self-detonating endgame. “N othing other than a desperate, impassioned call for murder”, is how director Luis Buñuel once described Le Chien Andalou.Salvador Dalí, who devised the scenario and designed the set, wanted it to, “plunge like a dagger into the heart of Paris.” The playwright Lorca, a friend of Buñuel and Dalí, was less strident: he called it, “a little shit of a film.” Among the director’s most radical works as well as some of his greatest international triumphs, these films cemented his legacy as cinema’s most incendiary revolutionary. Buñuel regular Fernando Rey plays Mathieu, an urbane widower, tortured by his lust for the elusive Conchita. It doesn’t matter all that much, though, as it still comes close to looking as good as L’Age d’or. The restoration/original score sounds pretty good, presenting some wonderful range and sounding sharp. Un Chien Andalou consists of 17 minutes of bizarre and surreal images that may or may not mean anything. title. The latter’s certainly true of Spanish-born surrealist Luis Buñuel, he of the sliced-open eyeball in Un Chien Andalou, whose three final films — The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire — were made in the mid to late ’70s, shortly before his death and comprise some of his most famous accomplishments. Un Chien Andalou offers a cinematic experience like no other. Drawn from the surrealist favorite Pierre Louÿs’s classic erotic novel La femme et le pantin (The Woman and the Puppet, 1898), That Obscure Object of Desire is a dizzying game of sexual politics punctuated by a terror that harks back to Buñuel’s avant-garde beginnings. The 2.0 PCM mono track is very weak, lacking fidelity, and is filled with all sorts of cracks, pops, and various distortions. The audience strives to find a reason behind the madness, and it is almost as if the viewer can hear Buñuel's and Dali's laughter in a … Un Chien Andalou consists wholly of bizarre, unreal images, and the viewer is continually aware of being suspended in a dream landscape. BFI also includes the 16-minute short film Un Chien Andalou, also presented in 1080p/24hz, in the aspect ratio of 1.33:1. Luis Buñuel’s final film brings full circle the director’s lifelong preoccupation with the darker side of desire. Select-scene commentary for L'Age d'or by Robert Short; Audio commentary for Un Chien Andalou by Robert Short; Two musical scores for Un Chien Andalou: 1960 'Tango' score; Newly commissioned Mordant Music score; A propósito de Buñuel (2000, 99 minutes - DVD only): documentary on Luis Bunuel by Jose Luis Lopez-Linares and Javier Rioyo; Filmed introduction by … It was Buñuel's first film and was initially released in 1929 with a limited showing at Studio des Ursulines in Paris, but became popular and ran for eight months. As well the digital transfer presents no issues of any sort, and it retains a very film-like presentation. To either read or join in on our discussions visit our forums. Zigzagging across time and space, from the Napoleonic era to the present day, The Phantom of Liberty unfolds as a picaresque, its characters traveling between tableaux in a series of Dadaist non sequiturs. The film tears the audience in different directions through every scene. "Un chien andalou" nació de la convergencia de uno de mis sueños con un sueño de Dalí." Supplements. Great effort by BFI Video. Both are fine tracks but I must admit that, while Short’s interpretations are valid and do make sense, his very dry, entirely humourless presentation, (well, other than his exaggerated pronunciation of certain French words and phrases), can actually take the fun out of both films. Un Chien andalou presents two audio tracks, the 1960 restoration score, based on the original, and then an alternate score by Mordant Music. Damage is maybe a little heavier, with plenty of scratches, marks, and stains, but the transfer remains consistently sharp throughout, again when the source materials allow it. Repeatedly throughout the song, the line "I am un chien andalusia" can be heard being screamed by the lead vocalist, Frank Black. Unbound by the laws of narrative logic, Buñuel lets his surrealist’s id run riot in an exuberant revolt against bourgeois rationality that seems telegraphed directly from his unconscious to the screen. It presents the sharper picture and a higher level of detail when the source still allows it (the image can go a bit soft here and there or look out of focus.) L’Age d’or’s audio is a bit of a mess, a victim of the equipment used to record the audio and the passage of time. Of the two L’Age d’or looks the best, possibly because it has been sourced from a restored 35mm negative. Yes, both films show their age but the digital transfers are top notch and deliver the films about as perfect as can be expected. This transfer was sourced from a 16mm negative of the 1960 restoration.  - Chungking Express, World of Wong Kar Wai Though the commentaries were a bit of a mixed bag for me I enjoyed them overall, and also enjoyed the few video features we get here (though I had seen the documentary included before). Un Chien Andalou is a little weaker but not by that much.  - As Tears Go By, This site is not affiliated with The Criterion Collection, The Discreet Charm of the Bourgeoisie (DVD), The Discreet Charm of the Bourgeoisie (Blu-ray). Damage is maybe a little heavier, with plenty of scratches, marks, and stains, but the transfer remains consistently sharp throughout, again when the source materials allow it. Un Chien Andalou (1929) Trivia. The one for L’Age d’or is a selected-scene commentary running about 23-minutes, while the one for Un Chien andalou actually runs longer than the film, totaling 19-minutes. Little weaker but not by that much, though, as it still close! 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